Today’s fiction experiment is below. The midday prompt was as follows:
A magical mishap shrinks your character for 24 hours. How does the day go?
Today’s fiction experiment is below. The midday prompt was as follows:
A magical mishap shrinks your character for 24 hours. How does the day go?
Continuing with my Creative Writing Prompts, here’s today’s effort. A couple of notes here before you jump in: The prompt for midday was Your pet dragon has been misbehaving. I moved “Bart” and family into the future and kept his parents married past his seventh birthday. Note, again, as this is a work of fiction, my mother is/was not a coffee addict…at least not to the point of getting grouchy in the morning if she didn’t have a cup. Beyond that, enjoy! Continue reading “Fiction Experiment: French Roast”
In an effort to get some practice, experience, and confidence with my fiction writing, I purchased A Year of Creative Writing Prompts. Below is one of my attempts from today’s assignments. They provide a five-minute exercise, a mid-day exercise, and a dinner time exercise. I decided to kick these out all at once, just to get rolling. Will post these as I think the warrant sharing. The trick for me will be to insist on the discipline of daily writing, even if it’s someone else’s assignment. Continue reading “Fiction Experiment: Garga Seeks Treasure”
From time to time I mention that I have written or am writing fiction (usually of the science fictional variety), yet I never have said works published. One might wonder, if I have some skill as a writer, why I have not tried to get my work into print for others to see. I had cause to examine that very question this week. I’ll share some of those thoughts now. Continue reading “Why I Write Fiction”
This week I picked up a collection of short fiction by my favorite author, Poul Anderson. Anderson’s writing (he passed on in 2001) caused me to reflect on the difference between the types of fiction I read and the types of stuff that I actually write. Anderson, along with Robert A. Heinlein, Jerry Pournelle, and Ernest Hemingway, are all of a type, in that they all tend to write about bold, adventurous men happy in the outdoors and capable of wresting from the world what they want with their bare hands. It’s fun, energetic storytelling, and their works have given me much enjoyment over the years. Yet their works diverge greatly from what I write when given time to myself. Why? Continue reading “What I Read vs. What I Write”
I pursued my first English degree with the intention of being a science fiction writer. I wrote a lot more in my teens and twenties and my stories were filled with the concerns of a young man: pursuing adventures, making a difference, falling in love. The Bart who wrote then is a very different person from the person who writes blogs and training documents and journalism pieces now. Aside from my additional 20 years of life experience, the tools I use to write have changed as well. Continue reading “The Tools You Use”
I write to pay my bills. I’m a technical writer, that’s what I do. It’s a great pleasure that I’m able to turn something I’m able to do reasonably well into cash and groceries.
But that is nonfiction, and work done on behalf of someone else’s idea or business. I still write for myself. Why?
First, it might be helpful to explain what I consider “writing for myself.” This would include:
All of these activities serve personal, what some might call “antisocial” purposes because they are for my own benefit and enjoyment, not necessarily others’. Note that I am not a published/paid writer in any of those categories, so why do I bother?
I’ve been writing fiction since 1978 or so. I’ve been writing poetry since 1984 or so. I’ve been keeping a journal since 1988. Again, not for profit. Occasionally I’ve let others read the stuff, but not as a regular habit anymore. So why do I bother?
Maybe writing is just a hobby? A literary form of therapy? I write in these various forms for my own personal enjoyment. Sometimes I learn something. Sometimes I just feel better afterward. Sometimes I want to say something about the state of the world (or my reactions to it) and saying it straight out is not the most effective way to do it. If I have things I want to say or think about, why not just mull them over in my head? Why bother with the physical activity of putting pen to paper or fingers to laptop keyboard?
Maybe because writing is my way of leaving monuments. I was here, I lived, I had ideas, I mattered: here is the proof.
If you write, what compels you to do so?
In a posthumous release of his correspondence, science fiction writer Robert A. Heinlein reported to a friend that he had not been writing and had felt miserable and sick with a cold that wouldn’t go away, but once he started writing again, he felt 100% better. Something similar can happen to anyone who feels the creative urge.
Writing, for those of us who treat it as a natural and necessary part of ourselves, is essential to our health. It can be the source of our income, to be sure, but it is also sustenance itself. The very act of writing feeds our soul and helps us sort out the world. Writing is there to help us make a roadmap through the world, calm us when we’re irritable, allow us to rant and vent our rage when doing so publicly would be socially unacceptable. Creating something new–especially new worlds, characters, or situations–is exercise for the imagination.
It’s sad but true: my fiction writing has dwindled over the years. In fact, I can directly trace my loss in fictional productivity to starting my career as a paid technical writer. I dropped from writing anything from half a dozen to a dozen stories a year to two or three to one to writing every other year. I felt sad at the change but considered it a necessary by-product of spending all my day in front of a computer, hacking out words for other people’s use. By the time I got home, I had very little energy to write for myself.
In truth, my imagination has gotten flabby, much like my body can do due to lack of exercise. I have a lot of incomplete stories in my files–stuff I started and dropped because I felt the ideas stupid or the execution lacking and I lacked the energy or interest to rethink the story and fix it.
It’s one thing to write bad fiction (and trust me, I have plenty–note that I’m a professional technical writer, not a professional fiction writer). It’s something else again to transform the sow’s ear into a silk purse. That requires inspiration, alchemy, and careful feeding of the Muses, but mostly it demands a lot of hard work and a commitment to Heinlein’s dictum that “You must write. You must finish what you write.” After a long day at the office, it can be very easy to go slack on your own stuff, especially if no editors are clamoring for it and you have no deadlines to meet. So I’ve been lazy.
I’ve also been somewhat down lately. Lots of little things piled on to give me a Class A First World funk. Trust me, given a choice I’ll take my problems over anyone else’s any day, but that’s not to say that the marvels of middle age don’t vex me from time to time. I have worries and annoyances and things in my life that irritate me or make me seriously unhappy, just like everyone else. So yesterday morning I made a list of a dozen things I needed to do to get some feeling of control over my grouchy disposition. By the end of the day, I’d done maybe two. I went home from a social gathering feeling less than productive and not particularly proud of myself.
As I am prone to do when I’m in a funk, I lecture myself. I was giving myself a good earful in traffic about my general laziness and ingratitude for the gifts I’d been given in life when something strange began happening in the long-neglected imagination center in my brain. Hey, you know you could write a story about that, my subconscious was saying. My conscious mind stopped lecturing and said, “What?” Yeah, my imagination continued, you could write about someone seriously gifted going lazy. Why would he do that? What would make a genetically modified super-genius decide to underperform? So my logical conscious mind joined in the fun and started playing with ideas.
The story had practically written itself in the back of my brain by the time I got home. At least I had the structure, the main character, and the motivation. The rest was filling in the blanks. I think the story ran around six pages. Maybe ten. Whatever. But wow, did I feel better afterward! I had accomplished something, I had done something creative again, and I slept with the comfort of being myself again. My subconscious, rewarded for doing such a good job and nudging me out of my funk, treated me to a lot of various and confusing dreams, but it was like, “Okay, you wrote that, so here’s a bunch of other thoughts I’ve been storing up. What about this? What about this? What about this?” It’s a blur now, but there was enough stuff churning around that I’m sure the important thoughts will come back.
And all it took to restore myself was writing again. If I was feeling really ambitious, I’d try to get that story published, but let’s not get crazy. Silencing the inner critic is a blog for another day. For now, all I can recommend to writers who are in a funk is the same old rock ‘n’ roll: write it down, baby. Get it all out. You’ll feel a lot better.
Human beings have been telling each other stories for millennia. Why? What, exactly, is a story, and why do we bother?
A story is a narrative about an individual or group in conflict with the universe–another person or people, nature, forces within, etc. A story includes moments of danger and suspense: will the hero(ine) survive? Will they succeed in their mission? How will that success occur?
Stories fulfill a deep need in our natures for our existence to make sense. We want to believe that we can overcome dangers that face us in this universe. We want to believe that the values we defend mean something and that, even if our existence ends, those values will continue on after our death. The interplay of good and evil (or protagonist and antagonist) engages our emotions. The ratcheting up of suspense adds to the suspense of the moment and raises the stakes. All these things tell us what stories do, but they don’t tell us what stories can and do say.
Looking over human history, we’ve had stories that involved gods–superhuman versions of ourselves–as well as human heroes and villains, dragons and other terrifying creatures. We have told stories that challenged the forces of nature; defined ourselves as independent beings; saved villages or nations; fought tyrants or ambitious people like ourselves; and confronted the dark forces of the emotions or motives within ourselves. We continue to tell stories that force us to confront the dangers of the technologies we create or the evil we do in the present day.
Sometimes we tell these stories in the language of the present day. Sometimes we set them in the past. Sometimes we set them in the future. Sometimes we set them in realities completely different from our own. The motives for storytelling–even if the environments, moral structures, heroes/heroines, or tactics and tools change–remain the same. We are always trying to explain ourselves to ourselves. The stories that impressed me the most at an impressionable age were from science fiction and religion, giving me forever an interest in science, technology, and philosophy.
So the question I have for you is: which stories have you read (or written for yourself)? Which stories resonated with you and told you, in a convincing way, “Yes, life is like this, it’s about this, we should be this?”
Update: This post is quoted (nearly) in its entirety in Gutsy Choices: Action Steps for Super Life Change by Russell DeWitt. Aside from my little bits of wisdom below, I commend it to your attention for further reading.
This post was prompted by a question from my friend Russ. The specific request was:
[P]lease tell me what benefits the world of writing has done for you in your development as a person?
Since childhood, I’ve done multiple forms of writing, from fiction to school assignments to work products and journaling. School and work products are necessary for intellectual and professional development–development of the mind. Story telling is an exercise in creativity: imagining things that never were, jumping into the unknown of our subconscious and making it known through characters, actions, and places. Journal writing is an exercise in self-analysis in literary form.
Each of these forms has its own virtues and develops a different part of the whole mind.
Fiction writing is the equivalent of a mental quest or vacation. I’m trying to tell myself or other people how I see the world. Fiction helps me express myself. Sometimes it helps me solve problems or express I see in the world. Maybe some of my stories have brought some good to those read them.
Journal writing, for me, is the tool I use to fix problems with myself. I’ve been keeping a regular journal since I got a typewriter for Christmas 27 years ago. Sometimes I write with the assumption that someone else will eventually read my thoughts, most of the time my audience is myself. I’ve speculated on how to make the world a better place, identified ways to improve myself or to find fault with myself. Sometimes my journal is a one-sided therapy session where I explain what I’m feeling, either in handwritten or electronic form. My journal lets me plan, vent, grieve, shout, laugh, and pontificate in ways that might or might not be acceptable to others, but it helps me clarify who I am to myself.
Has writing made me a better person? That would be harder to say. I look back at my journals from years back with some embarrassment, either because my half-smart philosophies at some point in my past now seem childishly wrong or because problems that cause me pain today are all too familiar and haven’t been resolved. Some problems I’ve resolved, others have arisen to take their place. And yet I keep writing, in a constant quest to better myself and to understand myself and my place in the world.
I write because that’s what I do and how I perceive the world. It is so much a part of me I hardly know life without it. When I am gone, my writing is all that will remain. Perhaps that will be enough to speak to the ages.