Quietude

This has been a tumultuous year. In fact, there’s been so much going on, I haven’t had a lot of time to think through all that’s happened or how I feel about it. This post is that attempt.

Sobriety
Much to my surprise, I’ve now gone 1,400+ days without alcohol. That lack of depressant and inhibition eliminator has done a lot to help my emotions level off. No massive euphoria, no crushing depression. Still possibly the best choice I’ve made for myself in my 50s.

Creativity
Somewhere along the line, I Iost my creative voice. I wrote my last bit of short fiction a year ago, my last novel three years ago. Now that could be a side-effect of my not wanting to share my political views because there are too many people willing to engage in mob violence for any reason. It also might be the result of being sober. Alcohol fueled my emotional imbalances, and fiction was my primary coping mechanism (when I wasn’t drinking…or sometimes when I was). I’ve had to find other methods for dealing with what bothers me, and fiction has no longer been that outlet. While I do miss writing fiction for fun, a whole bunch of inhibitions creep up and stop me. My younger self might’ve been a drunk, but he was at least fearless about expressing himself in story form.

Employment
I started the year earning my living from two freelance contracts. In January, I was told the contract that had been my primary source of income for eight years was coming to an end. I started looking for work I could acquire quickly and turned to my network in Huntsville. That resulted in a short but lucrative space contract that caused my other customer to ask me cease employment with them as they saw that as a conflict of interest even if the work did not overlap with their part of the space business at all. Fine.

After the temporary space contract ended, for the first time in ten years, I accepted full-time work as an employee rather than a contractor. This was mostly the result of laziness–I didn’t want to spend a lot of time constantly looking for the next gig–and partly opportunity (i.e., a former freelancing customer asked if he could hire me outright rather than just take me on as a consultant). Not going to lie: that’s been pretty remarkable…the steady income and savings on healthcare costs alone make the change worth it.

And for the first time in ten years, I have only ONE paying job and ONE volunteer commitment. I’m going to go wild with all the free time, you betcha.

Living Situation
In addition to getting engaged and married (first time for everything, even in your mid-50s), I moved into a single-family house instead of an apartment or condo. The back yard has a fence to contain a couple of dogs–something else I’ve never lived with before.

Finances
The sale of my previous home allowed me to pay off my credit card debt for the first time in seven years. That’s been pretty magical.

Attitudes Toward My Livelihood
I don’t blog about technical writing at the moment. I decreased my posts from twice a week in 2021 to once a week in 2022 to once a month in 2023 to…no more after August 31. Part of that reduction was a side effect of not having enough time. Part of it is laziness. That’s a LOT of writing! Plus, as with my creative writing, I was running out of things to say. I’ve dispensed most of the wisdom I think I have to share (you can always buy the book if you want the highlights).

As for the industry I work in, I learned early on not to overshare what’s going on with my employer or customers. I would say that a recent talk by former NASA Administrator Mike Griffin made a big impression on me. I think he’s right about this: NASA is a national security program run under civilian auspices. We do big things in space to show others that we’re better than them in some technological/economic sense. That hasn’t changed much since the agency was formed, we just don’t talk about it much. Which is to say we still need NASA and still need them capable of building huge, audacious space projects (like SLS).

Education
For a while, I kept toying with getting another academic credential of some kind to make myself more marketable (and keep myself employed/fed). The ideas varied over the years, from engineering to instructional design to a Ph.D. in technical writing. Now I have to face the hard fact that it would take me a lot longer to finish another degree…and I’m 11 years from the current-standard retirement age (go ahead and do the math, I’ll wait). Plus, I’m pretty confident that my work history, experience, and self-discipline can now keep me employed more than a flashy degree. Does my ego require me to be called Doctor Leahy? Not really.

Travel & Reading
With my trusty wife at my side, I’ve been taking direct action on buying and reading the books I’ve wanted to read and traveling where I wanted to travel. Those are my primary intellectual pursuits now, and they suffice. I’ve got plenty filling my brain at the moment–still learning the new job as well as how to be a good husband and dog father.

That enough for one year? I think so.

54…

Welcome to middle age! Things will break down, but it’s not all bad.

The Mrs. pointed out that this is my first b-day as a married man. ‘Tis true. I like having someone looking out for me, which I didn’t realize was a necessity until it happened.

Today’s festivities include reading, walking around Epcot, dining at Space 220, and waiting for the HVAC guys to call back because one of the air conditioning units on the house decided to stop working last night. Whee!

Otherwise, I’m 18 years away from retirement (if I’m to believe my finance guy) and 1,286 days into the adventure that is sober life. I’m definitely a different person without that stuff in my system, and one huge benefit to sober life has been becoming comfortable enough with myself to try matrimony. That wasn’t even on the radar at 50. So I’ve got a steady home life, a steady job, and a reasonably stable mental state. The A/C might be broken, but I’m not freaking out about it, so that much is right with my world.

Now, about this aching back…

Adulting

Apparently I’ve been doing a lot of “adult” things this year…what some of my fellow Gen Xers verb into the word “adulting.” I hadn’t considered it before, I suppose I’ve avoided a lot of these activities because they didn’t interest me. Read along, and see if this rings true with you.

I began the year with hernia surgery–I don’t recommend that as a hobby. Not fun. However, the pain from said hernia wasn’t fun, either. So, anyhow: first time “under the knife,” under general anesthesia, etc. Joy.

Also in late January, my Disney walking buddy and I decided to get engaged. Both on the geeky side, this was the first time for both of us. It wasn’t a big, public, get-down-on-one-knee affair (Robin’s thought: “If you did that, I’d have to help you up!”). Instead, it was just a mutual decision arrived at through our usual method: conversation.

We started doing things like shopping for rings, shopping for a shared home that would fit my stuff, her stuff, me, Robin, and her dogs, Maxwell and Wishbone (a.k.a. Max and Wishy). Rings were easy. The wedding was also pretty simple, as neither of us wanted a huge, attention-getting event: just a justice of the peace, followed by dinner with close family afterward. That kept the hoopla to a minimum–we’re introverts, hoopla isn’t a thing for us, if we can help it–and the cost. Another box checked (or achievement unlocked, if you’re a gamer).

After a months-long search through an active and expensive housing market, we closed on a house a couple weeks after the wedding. Then began the moving processes–each of us from our separate home to the shared domicile. My condo was cleared out June 23, Robin’s will be emptied of stuff July 7. This past weekend was another big step, though: Robin moved into the shared house with the dogs. I’ve never had dogs in my home as a long-term choice, just never been a “pet person.” Now I’m going to have to learn.

As several friends have pointed out as I share my adventures on Flakebook, “You’ve been doing a lot of adulting this year.” I guess I hadn’t considered it from that angle. I work for a living, I support myself, I take vacations. All of those are “adult” things, to be sure. However, apparently one isn’t considered a serious adult until you start settling down with a spouse and a house. Those used to be considered the standard emblems of adulthood and active citizenship…along with starting a family. Well, that last part isn’t happening. Neither of us are interested in children, unless one counts the critters, and there are multiple ways to ensure that folks in our age group don’t start procreating.

Anyhow, while these changes in lifestyle have come on in rapid succession this year (probably thanks to my ongoing sobriety), they haven’t changed my self-image as much as the image others have had of me. I’ve thought of myself as an adult for years now. Others had a different opinion. I wasn’t really an adult because I remained single and in possession of a condo rather than a single-family home.

Well, guess what, world? I’ve been adulting for a long time now. Nice of you to finally catch up to my reality.

The Stuff

Today’s free-verse experiment in…something.

The Stuff

Ah, yes, you remember the Stuff
and miss it fondly on occasion.
Day coming, day going,
there was a liquid for the moment.
The socializer, the bravery fuel,
the red ritual accompaniment,
the bubbly social lubricant (not like that, ya perv!),
the perfect tart, acidic white to go with food,
or a hot, sunny day
or some exotic spot out of country
or an elegant dinner
or a gathering with friends
or a chat with your buddy
or a lonely, sad night by yourself.
You won’t judge now
if others still consume:
you had those moments yourself,
many a time and again.
Though you worry when you see others
follow your dark path
long after you turned back.

Eventually you had to stop, of course.
No blackouts,
no lost weekends,
no coming-to
in a puddle of your own making.
But you weren’t quite on top of your game, either, were you?
not with that Stuff.
The work always suffered a little.
The mornings always starting a bit slower.
The weight always creeping that much higher.
And you kept coming back for…
The medicine. The anesthetic. The stimulant. The depressant.
The coping mechanism. The Muse.
The Stuff always called,
and you always answered.

And what do you do with yourself now?
You take reality straight, no chaser.
You’re forced to face the face that faces back:
gray-haired, watery blue-eyed, overweight,
aging, unstable, neurotic, intellectual, sarcastic geek.
All the stuff that made you self-conscious
is all you’ve got left,
and now you’ve got to live with it.

There’s a woman willing to take you
but she doesn’t know the Drinking You.
She sees only the vulnerable, middle-aged, non-drinking dork
who’s been forced into honesty
with himself and with others
because he’s got nothing left.
She hasn’t seen the surly nastiness,
but she doesn’t see the inspired creative, either.
No roller-coaster emotions,
no need to cope,
but nothing to inspire visions on paper, either.
That’s your story without the Stuff:
one day like another,
just calm and well-balanced
with nothing to say.
She doesn’t see how weird that is,
how frightening.
And you don’t trust
that the Stuff won’t return.
If you could drink in moderation,
you would be.
But you’re not, and your life awaits.
Get to work.

/b 11/29/22

Why I Read and Write Science Fiction

Yesterday, I detailed my struggles with creative writing. And yet throughout the ongoing war with bad writing and my doubts relating thereto, science fiction (SF) has always been there as a sort of talisman, something to read and reinforcing my love of future- and technology-minded literature, both as something to read and something to write.

Why I Read SF

Not too surprisingly for a GenXer, I got sucked into SF courtesy of Star Wars and Star Trek. SF fans got me to read “real” or hard SF (as opposed to space opera), which generally meant “Golden Age” writers such as Arthur C. Clarke, Ray Bradbury, and Isaac Asimov. As I got older, my tastes, politics, and interests shifted a bit. I shifted to Robert A. Heinlein, Larry Niven, Jerry Pournelle, Kim Stanley Robinson, Robert Silverberg, and Frank Herbert, plus a lot of one-off titles that I often grabbed based on the cover art or the blurb on the back of the book.

The common elements in all of these novels (and short stories) included a focus on the future…often more technologically advanced and better in some social matters than the present. Perhaps that was what I needed in my moody and bully-populated adolescence: a focus on and belief in a better future. I absolutely needed that sort of attitude at that age because my contemporary circumstances sucked.

SF also featured a lot of brainy or intellectual characters as heroes, which was something I appreciated as someone who was small, thin, weak, bookish, non-athletic, and clumsy. Characters in SF weren’t always klutzy (though the works of Frederik Pohl were more obviously flawed than most), but they were clearly brain-forward and often the worlds they lived in respected that intellectual ability.

Why I Write SF

My fiction writing has tended to be in a science fiction mode. Even when I write “stories” (narratives might be a better description–see yesterday’s post) about more typical problems like personal growth or romance, they are often placed somewhere in a science-fictional, future world. Current problems don’t excite or inspire me. So I’ve tended to write about the future, with the message being that it will be better.

My ghost-writer buddy Laura suggested that I make that sort of fiction my focus, .

Focus on the message or the experience you’d like your reader to have. I write for my younger self. My main message that I wanted 12 year old Laura to receive was one of self empowerment/self belief and also belief in a very cool future. So I wrote into that. 

And really that makes sense. It’s like my blog, which provides practical career advice to my younger (22-year-old) self in the hopes of helping other English majors find a fulfilling way to use their skills and pay the bills. Perhaps I should go back through my younger years and consider writing stories that younger Bart would have loved and found inspirational. There are still kids being bullied in this world, and they’re being fed a ton of dystopian fiction. It would be nice if they read about a better future that’s worth living for, yes?

A Narrative About Storytelling

I spent part of the weekend engaged in analyzing my creative writing journey. What has yours been like? Strangely, mine has gotten more difficult as I’ve gotten older.

My Writing History

My family has home movie footage of me reading a book when I was less than two years old. Given my hypothyroidism, which was not diagnosed until age 1, I struggled with my physical development. It is, therefore, entirely possible that I could read before I could walk. I was drawn (so to speak) to those black symbols printed on bound white paper. Apparently I was also interested in trying create my own. Grandma Leahy claimed I told her at age five that I wanted to be a novelist. (Is it possible that I’d even know that word at that age? Yep.)

The first piece of writing I had “published” was a set of “alphabet stories” we were assigned in second grade or something. It went into my elementary school library, and I fished it out of the shelves when I learned that the school was closing. In one story I wrote about Wally the Whale, who wanted to swim from one U.S. coast to another, so he swam through the Panama Canal. Because, yes, 8-year-old Bart was interested in transportation. In another of those stories, I wrote about the D word–divorce–that had happened in my home the year before. It was accompanied by a rather dark crayon image of a dead man’s corpse burning in a garbage dump. Guess who got to spend some time with the social worker soon thereafter?

As I progressed, I started writing Star Wars stories, transmuting my play time with my friend down the street into typed stories. Eventually, in my teens, I started writing fiction in my own world(s), which alternated between mainstream and science fiction. I got an IBM PC Jr. sometime around then and started writing more. A lot of my story writing was cathartic. Writing in the heroic mode in the Star Wars universe, I would transmute my adolescent (ages 11-20) struggles into wish fulfillment fantasies, in which I was a person with authority and respect. A person who could make an impact. A leader.

At age 18 or so, I got my own Smith-Corona typewriter with maybe 100 KB of memory. I bought a pack of paper and started cranking out short stories in between class papers or over breaks. It would be difficult to say that I wrote stories so much as character sketches or situations in which the main character learned something–I was in college, after all. After college, when I was in Florida and working for Disney, I had plenty of unencumbered time and wrote a startling number of short stories (narratives?) throughout my 20s (29 of them in just two years). Did I submit any of them for publication? Of course not. I was writing for therapeutic purposes. Plus, I also recognized that I was not writing stories so much as fictional narrated experiences. No antagonists, no concrete plots, no character development, etc.

I tried my hand at science fiction here and there. Again, I was writing about characters gaining insights or experiencing strange effects from technology. Conflicts and actual storytelling continued to elude me. I was 30 when I finally wrote my first novel–a Star Wars story, of course, rooted in those stories that were born out of my childhood playtime. That novel continues to be modified and improved right up until the present. I would not write another one until I was 42. I decided to try National Novel Writing Month (NaNoWriMo) and write an actual story, an historical romance, for a change. Did a bunch of research, threw in a little character development, and everything. The problem was that the book just wasn’t very good (“Everyone writes a sh!tty first draft,” according to Anne Lamott) and I didn’t enjoy the writing process enough to make any revisions to it, probably because it was written as a way of venting my feelings about a previous romantic relationship. Draft? Written. Revisions? Neglected. Into the files it went.

My shift to novel writing and more serious, structured narratives coincided with finally getting work as a technical writer in the space business, a primary career goal of mine. I’d learn the mysteries of launch vehicles, crank out conference papers and other products. As a result, when I came home, I had two things happening in my mind when I sat in front of the computer: I was tired from work, and I was painfully aware that I needed more professionalism and quality in my work.

Two years later, I tried another NaNoWriMo experience, this one science fiction again. And, while more promising than the previous novel draft, this one also lacked traditional conflict, structure, or character development. I gave it to friends (one a published author), seeking inputs. I got the inputs…and then left them to rot in my files with all the other unpublished dreck. I didn’t want to do the work. The work filled me with loathing, self- or otherwise.

Despite this, I still wrote short stories here and there and tried another SF novel for NaNoWriMo four years after the last one. I ended up finishing it a year later because NaNoWriMo got interrupted by a vacation. I had a few people read that one as well…got zero feedback, and let it drop into the files with the others. My joy at writing was diminishing as well.

I met a new lady friend around the time I turned 50 and started writing short stories/anecdotes for her for fun as part of my courting ritual, but the relationship soured and with it my desire to write anything creative, for that matter.

So now I’m 53. I’ve written a lot in my career, from corporate training classes to conference papers, engineering documents, public speeches, news articles, and marketing/outreach materials. You could say I’ve done a few things, most of them without much fear or anxiety. So what’s going on with my creative writing?

My Current Problem(s)

It turns out that I am much more comfortable writing content for other people–customers, bosses, what have you. It’s writing for myself that creates anxiety in my typing.

My fears and excuses for not writing multiply and grow more complex the longer I consider them.

  • Fear of writing something terrible, scientifically incorrect, stupid, etc.
  • Fear of not living up to expectations (education, background, etc.).
  • Fear of criticism/mocking.
  • Fear of offending the always-angry Twitter mob and the perpetually offended. Will I say the wrong thing(s)? Will I be accused of portraying someone different from me insultingly? Will I express the “wrong” point(s) of view?
  • Will the angry people start attacking me online?
  • Will the angry people start threatening me online?
  • Will they not stop there, but show up at my house and threaten me or my loved ones?

Et cetera.

I even have some fear of success, on occasion.

So this morning I asked myself: Is writing something I even want to do anymore? Is this still a ‘passion’ that I need to pursue to feel complete? Is writing the way I will make my positive mark on the world? My legacy? Is there something else I should be doing instead?

One of the books I read to try and nudge me back into creative work was The War of Art by Steven Pressfield. Pressfield calls all the doubts and fears I expressed above “resistance.” He says:

The more scared we are of a work or calling, the more sure we can be that we have to do it.

Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That’s why we feel so much Resistance. If it meant nothing to us, there’d be no Resistance.

Sounds great, in theory. In reality, I’m somewhere between feeling ashamed about not doing the work but also feeling ashamed about trying to write when I feel like I’m forcing myself to do something I ought to be doing, like a painful obligation. What the hell am I supposed to do with that no-win scenario?

My Path Forward?

I tried to imagine what writing without struggle would be like:

  • Not caring about scientific or engineering accuracy (at least in the first draft).
  • Not caring about how others might receive my work.
  • Not focusing on critical or monetary success or failure, just writing something that makes me happy.
  • Writing the truth fearlessly according to my lights, not the prejudices of whatever mob might find it objectionable.
  • Apply the skills and knowledge I do have to put together something good.
  • Be as ambitious as I care to be, even if it turns out that ambitious is not something I want to write.

A younger Bart remembered how to do most of that, even if his skills weren’t too polished. My older self has learned how to write better but is now afraid to share whatever’s in his head…or worse, won’t write because he has nothing to say.

Writer’s block sucks.

Blocked

Writer’s block sucks. It’s unfathomable to the non-writer and demoralizing for the writer. After all, you write because you love it, right? So what happens when that love of the work turns into something else or gets wrapped up in other feelings? A whole lot of nothing. I’m in the midst of a four-year run of this condition now, and it’s starting to eat away at my soul. Maybe blogging about it will help. I’ve done sillier things.

I should emphasize that the “block” I’m dealing with is personal in nature. I don’t get writer’s block on the job (i.e., for other people), except in rare cases. Writing for myself is something else. The needs of a customer are always known, or if not known, can be discerned by asking questions. I’m a much more difficult customer.

  • Do I know what I’m trying to accomplish?
  • Do I know who my audience is?
  • Will this work be engaging to the reader?
  • Is the work saying what I want it to say?

I don’t always have the answers to these questions, nor am I terribly confident when I answer them.

Ghosts from the past

Several years ago, I got into the habit of sharing one piece of creative writing with a lady friend on a daily basis. Part of the courtship ritual, as it were. However, the relationship did not go as hoped for, and so it ended.

The problem is that in the process of ending that relationship, I also yanked out a lot of the wiring that I used to write creatively for fun. Writing was something done for her. Being a creative writer was someone I was in that relationship. Writing after that brought me right back to the mental state I was in fresh out of the relationship: No, I don’t write anymore. That was something I did for her. That was a different life, a different person. Somewhere along the line, I made the mistake of using a real person as a “Muse,” and now find myself, years later, not wanting to return to the writing habit because it puts me back in the headspace I had when writing for that specific person.

Given the number of relationships I’ve screwed up over the course of 40+ years, you’d think I’d have the sense to separate the creator of the product from the recipient. But no, my subconscious juxtaposed the two in this case and decided that writing “for myself” was no longer possible.

It’s vexing, and a little sick-making, to be honest, because it’s not like real people are flawless or will never let you down. They will, just as I no doubt let down the person in question and others along the way or since. Indulging in a “muse” is a great way to short-circuit a professionally minded brain because when I have paying work, I don’t have the luxury of waiting for inspiration to strike before getting to work. The work must be done, sit in front of the goddamned computer and crank out the prose. If you don’t, you don’t get paid and you don’t eat. QED, the writing gets done.

However, that’s business. Writing for oneself is a slightly different animal for me. I never felt confident (or good) enough to write fiction for a living. I was a little too addicted to things like eating and having a roof over my head to write stories for a living. I pay the bills by writing and editing content for others. Fiction or poetry became things that I wrote for myself, in my free time, when I felt like it.

So when you start connecting all these dots together, you can see how writer’s block can and will interfere with the idea of writing for pleasure. I write content for other people or organizations. And while I do enjoy the process, especially when the content has to do with human space exploration, I realize that the thoughts are not my own but the ideas of others. I settled for that sort of writing to pay the bills because I lacked the confidence to write stories for a living. I suppose if I had forced myself to earn my living writing fiction, I might have gotten better at the craft through sheer repetition, persistence, and practice.

Yet the daily practice stopped when I ended that relationship. I was writing for her, after all, and she was no longer part of my life. So then what?

Quitting drinking helped clear my head, mostly. Yet I still had this injury to my soul lingering the background. It’s like a mental limp, hobbling my ability to fully express myself, either because I felt that my reason for writing went away or because I lost confidence in the person who wrote because the writing (or I) was insufficient to keep the relationship going. In the process of breaking the relationship, I inadvertently broke something fundamental to my well-being as a human being. The recycled mantra in the head is akin to, The writing failed, I failed, and so I don’t write anymore.

I can appreciate the works of others–indeed, my reading has been voracious over the past few years–but I can’t contemplate my own work without a feeling of vertigo or seasickness. The person I was in that relationship was someone who wrote, and that person failed. I haven’t been able to become that person again, and that hurts. I need to fix this. I’m tired of hurting. : (

Poetry Experiment: Do, Be, Do

Here’s where my brain went at 6:30 this morning…

Do, Be, Do

The mind dithers and withers
as it goes
Pursue your fondest dream today
or bake in the TV’s glow?
Things to go, places to do
and always a bill at the end
With good and bad habits
to cultivate and mend.
No doubt the clock ticks ever
farther down–
Will you grin when the phone chimes
or frown?
Are you truly busy today,
with chores ever pressing,
Or just keeping boredom at bay
while the Horsemen are still dressing?

–BL, 3/3/22

Expectations: Fiction vs. Real Life

I take my fiction experiences–whether they’re written, on a stage, or on a screen–very seriously. An interaction on Twitter this morning made me consider some of the ways my feelings toward fiction manifest themselves.

Here was the Twitter exchange I had this morning:

I didn’t appreciate having my attitude toward villains described as “simple minded” or immature, yet I responded politely as shown. Yet it’s true: I’m not interested in the motives of bad guys in books or movies.

This is an old habit, going back to my youthful love of the Star Wars saga. The fascination people had with Darth Vader or Boba Fett, for example, eluded me. Even Vader’s revelation that he was Luke Skywalker’s father didn’t move me that much. My 11-year-old self assumed that he was lying. The subsequent confirmation of Luke’s parentage made for an interesting resolution to Return of the Jedi, but I remained a fan of the heroes. Vader didn’t redeem himself until very late in the game.

The prequel movies depicting the transformation of Anakin Skywalker into Darth Vader was a narrative mess, and I still wasn’t that interested in Anakin’s fall from grace. What did bother me was the Clone Wars movie, which was set between Episodes II and III. There, Lucas had already set the trajectory of Skywalker as heading down a dark path. What, then, was one to make of this cartoon that depicted him as becoming better or more heroic? Were we supposed to feel that much worse when he succumbed to the dark side? Anyhow, it didn’t work for me, given the narrative arc shown for the character at that point in the series. I was also not pleased to read “there are heroes on both sides” in the opening crawl of Star Wars III. The original Star Wars trilogy worked because it depicted a straightforward morality tale of good-vs.-evil. Who the heck do you root for if there are heroes on both sides?

For me, fiction is about structure and meaning. This is probably because I read and wrote stories as a way to make sense of the world or to make the world a better, more just place, if only in my mind. I had enough examples in my adolescence of the bad, the mean, or the violent succeeding; I didn’t need or want that in my fiction. Call it idealism, call it escapism, call it what you will: to be satisfying to me, stories with obvious heroes and villains need to end with the hero triumphing.

I recall another expectation about fiction that created a great deal of amusement for one of my professors in graduate school. It was a hypertext class, and one of the reading assignments was a “novel” called If on a winter’s night a traveler by Italo Calvino. That had to be one of the least-satisfying reading experiences I’ve ever encountered. The book consisted of a series of episodes in different genres, none of which connected to each other, and all of which ended without resolution. I came into class infuriated that the author had wasted my time. The professor, amused, asked me, “Why are you so upset by this?” I replied, “Good fiction isn’t supposed to do that!”

Since I’m probably on the verge of being called simple-minded again, I’ll just state my objection here: If I wanted that sort of experience, I could turn on the news.

Much of the fiction that works for me takes the form of a structured morality tale. There are other works that are not conflict-focused or are more ambiguous, like man vs. nature–I’m talking here about man vs. man stories. There are also tragedies, such as the darker works of Shakespeare, but those don’t appeal as much to me, either. Again, I’m trying to make sense of the world and perhaps reinforce my rather naive hopes that good will triumph in conflicts. If I wanted to hear that “the world doesn’t make any sense,” I could read any number of columnists or bloggers. If I wanted to see conflicted human beings acting in a manner perceived as villainous, I could turn on the evening news. If I wanted to see evil triumph, I could read histories about some of humanity’s worst despotisms.

There are writers and readers out there who thrive on relatable, multi-layered, or even sympathetic villains. I wish them well. However, I am not the market for those sorts of stories. They don’t interest me.

Losing Friends

Cancer sucks. It has little regard for the feelings of its victims or the people whose friends depart this life due to its pernicious effects. Yesterday I lost my friend Debbie, who was as good a person and as good a friend as anyone I’ve ever met on this earth.

Debbie and I got acquainted thanks to my request for someone to handle public relations for a space conference I was running ten years ago. She wasn’t a full-time PR pro, but she was an organized and enthusiastic space supporter. She also had a hilarious sense of humor and an extrovert’s joyful willingness to get introverts to talk. Debbie designated herself “Media Queen” and several of the ladies on the team soon picked up on their own “royal” titles, forming a “Tiara Coalition,” each sovereign of her own domain (track chair, signage, etc.). Her chipper demeanor in a stressful environment kept many of us calmer and looser than we otherwise might have felt because she was always there to jolly us along. The picture above is typical Debbie and how I remember her best: crazy happy and waving enthusiastically for the camera. That picture always makes me smile.

My friend also hosted me in her home when I went up to Washington, DC, to play go-fer and convention manager for the Science Cheerleaders every other year from 2010 to 2018. Later, she became my tax advisor/preparer as I transitioned to the freelancing life. Debbie’s professional skills were akin to her getting-introverts-to-talk talent, as she helped small businesses organize and run their business. It was a truly remarkable set of skills to have, and she applied them to organizations as diverse as a publishing company, a couple of non-profit space advocacy conferences, and a small space avionics firm.

But mostly I’ll just miss my friend and the great conversations we had. She was a counselor who seemed to understand the introverted geek male better than he understood himself, and her fun-loving, welcoming ways caused those geek males to trust her. She made conversations so fun, you sort of forgot that she was dispensing wise advice along the way. Beyond space and geeky males, she had a love of her two adult-age kids, elephant statues, crafting, board games, Cafe Berlin (a German restaurant within easy walking distance of her place near Capitol Hill), and fine whiskeys (as well as whiskys).

As the pandemic hit–I might have the timing wrong–Debbie moved out of DC to be closer to her family in Delaware. Then I learned she’d gotten ovarian cancer and was undergoing some pretty harsh medical treatments to get rid of the stuff. I think I spoke to her once in 2020 and now I regret not trying more often. I know I sent her a card or two to cheer her up during her treatment and looked forward (at some point) to seeing her again once she’d recovered. That didn’t happen, though, and now a lot of people beyond selfish little me are minus a joyful, vivacious presence in our lives. It sucks, and I will miss my friend a great deal.

Is that a tornado siren?
Is that a tornado siren? Debbie making last-minute announcements at ISDC 2011 as my ears pick up the sound of a tornado warning. We had multiple tornado scares that year, but Debbie stayed chipper and on task.

Debbie and me at Humans to Mars Conference
Debbie and me at one of the Humans to Mars conferences. She was just fun to be around.