In the last two weeks, I’ve had the opportunity to experience what I guess I’d call the cutting edge of entertainment: Star Wars: Secrets of the Empire, a virtual reality experience licensed to a company called The Void, and Star Wars: Galaxy’s Edge, the new “land” at Disney’s Hollywood Studios. Each experience, in its own way, shows the direction we can expect interactive entertainment to go in the next few decades. Continue reading “Star Wars in the Age of Immersive Entertainment”
Yes, you read that correctly. The Orlando Philharmonic Orchestra (OPO) played a symphonic concert of John Williams’ soundtrack to Return of the Jedi at the Dr. Phillips Performing Arts Center in downtown Orlando, Florida. Having missed the first two concerts (Star Wars and The Empire Strikes Back), I was determined not to miss this one, if only as a belated birthday present to myself. And wow, I wish I’d gone to the other two. What a marvelous experience! Continue reading “Concert Review: Return of the Jedi”
I will try to keep this review spoiler-free. No, really.
If you’re a fan of Star Wars, you’re going to see this film. You know it and I know it. What you might be worried about is will you like the film? Rest assured, fanboys (and gals), you will come out of theater happy with what you see.
Many Star Wars fans–I am among them–have memorized the opening crawl text from the first film, now titled Episode IV: A New Hope:
It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire.
During the battle, rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star, an armored space station with enough power to destroy an entire planet.
Pursued by the Empire’s sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy.
Rogue One, as shown in the trailers, is the dramatization of that prologue. The MacGuffin moving the story forward is, as in Episode IV, the Death Star plans.
This is a fun film. The title: Rogue One: A Star Wars Story covers it nicely. It weaves in and out of Episode IV here and there while concentrating on a new batch of characters, both members of the Empire and the Rebel Alliance. Many of the elements are familiar: the Death Star, the force, Darth Vader, Stormtroopers, X-wings, Tie Fighters, Imperial Stardestroyers, etc.
As is typical of a Star Wars story, the story also takes its characters and us, the audience, to a variety of exotic planets. Unusual aliens greet us, as do a new set of spacecraft–some sleek, some ugly and dented–all part of the “lived in” universe George Lucas did so much to bring to life (yikes) 39 years ago.
Why I liked it
This will be tricky without spoilers, but I’ll give it a shot.
Geek that I am, I always like to see what new stuff the folks at Lucasfilm will add to the galaxy far, far away, and I was not disappointed. They’re running out of new landscapes to film on Earth, but through careful hunting around our diverse planet and some judicious matte painting or digital effects, the filmmakers still manage to give us (if I may cross genres for a moment) strange, new worlds.
I liked the new characters, who manage to carry on the snarky interactions and uncertain-friendship dynamics of the original trilogy while still being likable. Over the course of two hours and some-odd minutes, I managed to care about how they fare. That’s no easy thing, as we learned, painfully, from Episodes I-III.
I suppose what impressed me the most about this film was the production design. Everything from helmets to tools to clothing to architecture to spacecraft looked believable. Again, that “lived in” feeling of the environment was meticulously crafted. And, more to the point, much of it was crafted to look functional, worn, and used, as everyday objects are in our real lives. There are also some other special effects tricks in the film that I can’t describe without spoiling things for the fans, but suffice to say you will be impressed.
The plot I described above. Director Gareth Edwards deftly handles the script and all of the moving parts necessary to make a good Star Wars story. The pacing is good. The dialogue is mostly “business” (moving the plot forward) with just enough character moments to remind you that these are supposed to be people we’re rooting for, not action figures. The space and planetary battles moved by at a rapid clip, as expected, almost a shade too fast to follow at points, but nothing glaring.
I suppose the best compliment I can pay to the film is that I want to see it again. And really, isn’t that what we want out of a good movie?
A couple thoughts for non-Star Wars fans
I know you’re out there: people who are not Star Wars fans or who for your own reasons have never seen any part of the franchise. Yet now your spouse or significant other has told you that you’re going, and you’re wondering if you’re going to care at all. If you like adventure stories, yes, you should like this. There’s some “heart” to be found as well.
The best piece of advice I could give to the uninitiated would be to at least watch the first Star Wars, the one for which this story serves as a prologue. It will introduce you to the Star Wars universe and provide the background for what’s going on. You don’t need to watch the entire series. Episode IV will also provide you with some timeline connections that will help you see how this episode fits in with that one while telling its own story.
Okay, I’ve blathered on long enough. Go see the movie. You know you want to.